Showing posts with label Red and White Quilts. Show all posts
Showing posts with label Red and White Quilts. Show all posts

Saturday, April 9, 2011

Infinite Variety - Passing it forward


If you missed the experience of the show sponsored by The Folk Art Museum, Infinite Variety: Three Centuries of Red and White Quilts or simply want another look, you can thank John Kubiniec - Big Rig Quilting. John took hundreds of photos at the Armory, NYC, earlier this month.  His partner edited them for sharing via YouTube. The files were so large they needed to be divided into three parts. Each runs for less than fifteen minutes. Take a few breaks today or watch them back to back. Either way, you'll be transported. 


Sunday, March 27, 2011

What's Red and White and at the Armory?

651 Quilts.
Presented by the American Folk Art Museum this exhibit of predominantly 19th century quilts defies the imagination. Joanna S. Rose collected American red and white quilts. These are being displayed within the Armory's massive and historic Wade Thompson Drill Hall for six days. They are arranged into intimate circular rooms so viewers are able to enter the space and share the staggering experience.
Before the doors opened on Saturday
and the crowds arrived.

  






A fellow quilter who had traveled down from Boston said to me that she was struck by the number of hours the hand work in the quilts represented. As I considered the magnitude of that sum, my eyes filled with tears.  For surely, these "ordinary coverings" made by so many unidentified women represents  an escape from daily routine into a realm where something more becomes possible. That resonates with me today.


These are not scrap quilts. 


Producing red cotton cloth using Turkey Red dye made from madder root was a complex and expensive process. Cloth made this way cost more, but it was desirable because of its light and colorfast properties. When, in 1868,  a synthetic version of the dye was developed, American mills were able to produce more affordable red cloth. Patterns followed and there was an explosion of red and white quilts, a variation on an infinite theme.









They are strong, striking and graphic.

detail
They are spectacular.








In the absence of any color other than red I was freed to focus on the quilt pattern and the quilting.  This pattern, Jacob's Coat or Peeled Orange, is one of my favorites.  It's a perfect hand project. There's a quilt along out there that may need a new member or two. 





I also love the swag and bow border. I've been hand quilting an applique quilt with a border like this. I can see now what's been missing. It needs that graduated chain and then will feel exactly right.  


hand quilted detail from a strip or bar quilt
I don't know why I love this quirky Irish Chain so much but I just do. 
There is something extra comforting about it.



The American Folk Art Museum has a catalog in the works. Meanwhile, they encouraged photography at the show. There's a flickr page with lots more photos for your viewing pleasure.